Introduction to the Taubman approach – My personal story

Q&A from Forum Musikae Madrid 2019

Question : Leap, Legato and Staccato Playing, Shaping and Tone Production

Masterclass 2018 YAMAHA NYC – Lori Leu Part 1

Thank you for your interest in my blog and the Taubman work. It is wonderful to know this life-changing information is reaching so many people across the world through this medium. In light of the Golandsky Institute Summer Workshop in China, I will be taking a break from the blog for a couple of months. When I return, I am going to reopen the Q&A Session, and I will endeavour to answer the most pressing issues in subsequent months.

All my best,
Edna

Q&A 7

If you have questions concerning the Taubman Technique, you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

Q&A 6

If you have questions concerning the Taubman Technique, you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

 

Q&A 6. Chopin Scherzo No2./ M.545-582

Edna Golandsky discusses Chopin Etude Op. 10 no 8

 

Chopin Etude Op. 25 no 11 (from the Brisbane Taubman weekend workshop, Jan 2015)